Mexicanidad y estilo rangeliano: impacto en las artes gráficas y el mobiliario, 1960 y 1970

Abstract

The study on the reinterpretation of Mexican identity in the Rangeliano style examines how Alejandro Rangel Hidalgo fused tradition and modernity in his graphic works and furniture design during the 1960s and 1970s. This phenomenon is contextualized within a Mexico undergoing political and economic transformation, where tensions between national identity and modernization permeated artistic expressions. The research adopts an interdisciplinary approach, employing documentary and critical analysis, as well as the study of his works and their sociocultural context. The findings indicate that Rangel Hidalgo developed a style characterized by the use of geometry and symbolism, vibrant colors, and intricate patterns that integrate both traditional and modern elements. In the field of furniture design, he stood out for his use of local woods and artisanal techniques combined with modernist influences, creating functional and aesthetically unique pieces. His work at the Ex-Hacienda de Nogueras is emblematic of his ability to reconcile Mexico’s cultural heritage with contemporary demands. Rangel Hidalgo’s legacy lies in his contribution to the redefinition of Mexican identity, establishing a dialogue between tradition and modernity that continues to inspire designers and artists in today’s globalized context.